Recently, a few of my Twitter friends had an exchange about one way that teachers engage and share ideas online: Teachers Paying Teachers (TpTdotcom)

There are lots of ways to share ideas on the internet, and I recognise that many teachers find the idea of making money on the lessons they've developed in their own classroom appealing.  In fact, there is nothing objectively wrong with it.  No matter what state you teach in, you probably don't get paid what you should be paid to do the work of shaping the minds and hearts of young people.


But there is a fundamental problem, at least in my mind (and I think the boys would agree): We Are What We Share.


In all aspects of culture, I believe in free and open sharing.  My favourite bands all allow their fans to bring in recording equipment and trade the tapes freely.  My favourite software companies are (or have been) open source and have understood that a key part of their culture was bringing in the best possible ideas, even if they didn't exist in the corporate structure.  Many companies, like Google, even give their employees paid time during the day to work on a project that doesn't fit into their job description but is exciting to them....and many of those projects have become the technology we use every day, like gmail.


Turning back to Teachers Paying Teachers, I think the major problem I have is that it turns what we do into a product, rather than something that is a collective endeavour that is better when it is shared in community.


This post didn't start out being a rant about TPT.  In fact, I started writing to talk about something Andrew and I have built into our practice: a weekly Twitter chat.  But the reason I talk about TPT is that it is exactly the antithesis of the #flipclass chat Andrew & I moderate on Monday nights (8 PM EST/5 PM PST).  The chat is built around bringing together smart, passionate teachers who believe in sharing openly and freely.  Ideas are regularly given away and even improved upon through conversation.

The #flipclass chat community is something Andrew and I are very intentional about cultivating, and we have seen somepretty amazing things happen.  But what keeps coming back is that this group of educators believe in giving away their work in order to help other teachers improve their practice, and with the belief that any time you share an idea with someone else, it doesn't return to you void.  

As an example: I came up with the idea of using todaysmeet as a backchannel for discussion as I played a video of me reading the text.  So students were hearing the text, seeing it on their screens (or on the main one) and were able to interact immediately with their peers (and with me).  Having the reading on video meant that I could be far more present with them, but I found that the number of questions I answered actually went down because they were getting answers from their peers too.

So that idea is something I shared on Twitter a lot.  Now, I see lots of variations on that idea from tons of #flipclass teachers.  Did I invent it?  Probably.  But I also know that no invention is truly a work of a "lone genius" or "Eureka moment" and that the #flipclass Twitter community helped me have the idea in the first place, and have made it so much better now that it's been out there for a while and tried in tons of classrooms and blogged about...etc.  

And that's the tragedy of TPT.  That kind of group collaboration and open sharing of ideas just doesn't happen when you're locking your ideas behind a paywall and then taking it back to your classroom...the only one that will be changed by those ideas.  That is depressing. 

I think I'm a great lesson designer, and I bet I could have made tons of money if I had done TPT for the last few years.  But I can't put a price on the ideas I've had improved by my people in the #flipclass chat community.  I can't put a price on the ability I have to share openly and know that others are helped by what's happening in my classroom.  

I can't put a price on a community that has changed my life, my classroom, and the way I think about education.  This community brought me a collaborative partner, a group of teachers who love me and challenge me and support me, and a weekly chat that inspires me and keeps me pushing towards the kind of classroom I want for my students.

That is priceless.

**

Never done a Twitter chat?  Andrew and I made a video about the weekly #flipclass chat and how to get involved.  We hope to see all of you there!

On Monday at about 5:05, I noticed that Andrew and I were getting tons of notifications from Twitter.  He and I had spent the day on collaboration tasks for our upcoming school year - we recorded a bunch of videos, built a slide deck for his TED Talk, and redesigned our course website to build a space to house the workshops we've taught over the last few years.

I looked at him and panicked because we forgot about the Twitter chat we have moderated for almost two years.  But what happened was sort of magical, and reminded us about the values we've worked on building in this community during our time as moderators.  

By the time we arrived on scene, people had created questions and decided on an order for who would ask them.  They had basically built a lesson plan in the first few minutes they were left alone.  Now, we're all teachers, so we are all used to writing lesson plans.  But I've never seen something like this before: when the "teachers" were gone, the students identified their needs, figured out who could help facilitate, and then they went to work.  

This past year, I actually had something like that happen when I had a sub for a few different workshops I was leading.  My students explained the sub plans to the guest teacher, and then they divided up the work and were so efficient that the sub notes were full of praise for their industriousness and for how genuinely nice they all were.  This is a group of 9th graders that mostly have serious behavioural issues and get in trouble in most of their other classes, and have records longer than you could possibly imagine.  And because of the flipped classroom, they took charge of their education to the point that I was made redundant at times.  

And that is an amazing problem to have.  

We wish we had missed the chat on purpose to create this experiment, but it was a total mistake on our parts.  However, just like good flipped class students, the teachers in the chat took over the lesson and made it work for them.  They even ended the chat with suggestions for what to do in our next chat.  

Andrew and I couldn't be more proud of the community we've helped create.  It's one of the best communities on Twitter, and it's a true privilege to call this group of people colleagues. 

If you want to go back and see the chat and how it played out, check out the archive of one of the moderators of the impromptu chat.  And thank you again to all of the amazing teachers who made Monday night a success.

We will see you all next week.  And this time, we'll show up.  

Yesterday in #flipclass chat, we did our #teacherconfessions.  But I didn't really get to the heart of mine in the chat.  I could claim that's because the pace was frenetic (and it was) but that would be a lie.

In truth, I am scared.

I am scared that I'm not doing a good enough job. 

I am scared that I've worked for ten years to teach high school students and it ultimately will be meaningless.

I am scared that all of my best ideas were stolen from others or jettisoned at some point along the way.

I am scared that my colleagues judge my class and think that I'm wasting students' time.

That fear is a terrible master.  It continually robs me of joy, of excitement, of passion for my job.  It pushes me to work harder, do better. be better, because I'm always just one step ahead of failure.

That fear causes me to keep back parts of what I do in my class, worried that if anyone sees them, I'll be exposed as the fraud I am.

That fear mocks me when I get up and tell students that what matters most is working hard and not innate talent.  It says that my best isn't good enough, and I just must be stupid.

That fear shuts down my blogging, my tweeting, and even my conversations.  It isolates me.  Whispers things that my harshest critics have said and reminded me that they really did know better than me, and I am kidding myself to think any differently.

I have spent ten years of my professional career trying to figure out how to make it stop.  At several points, I thought that it would be better just to leave the profession, but the fear reminded me that this is the only thing I have really ever done in a professional sense, except for working at Blockbuster Video...and that's hardly a career path.  But the fear controlled me for a long time.

But.  There is a way to start to drown out that fear-voice: by replacing it with people who really do see you and your practice, with all the rough edges and failures and not-good-enoughs, and love and support you anyway.  When those voices start to rise in concert, the fear-voice has less power.

THAT is the power a good PLN has.  I have found people to drown out the fear-voice, and who remind me that who I am matters more than what I do.  That success isn't measured in innate intelligence, but rather in hard work and determination.  It's something I never could have done for myself.  And the primary beneficiary? My students.

And while it's true to say that I am a much better teacher today because of my PLN, what is more true is that I am a better teacher because of my friends.  The people who pushed into my life and refused to accept my fear narrative.  The people who keep reminding me that it's worth it, and that the only failure is to not try.

What does your PLN do for you?

Andrew and I tell the story of our collaboration frequently.  We did the Flipped Learning Network's opening webinar a few weeks ago, and we presented at the Global Education Convention about our journey together and what it has done in our classroom and to our practice.

I never feel like we can truly capture how much has changed as a result of committing to work together.  The easy answer is "everything" but even that doesn't feel like enough.  In truth, meeting Andrew was like taking collaboration crack - he and I started creating and never looked back, to the point now where not one aspect of my life is untouched by the influence of our collaboration.

And yet, it is only recently that I've begun to see the way in which my view of creativity has been shaped by our collaboration.

I never thought of myself as an artistic or creative person.  I do know how to play several instruments, and I can sew, knit, and crochet, but the nerve damage in my hands has made the fine motor skills required for art nearly impossible for me.  You see, my definition of "artistic" was "can draw well" and because I couldn't, and had little "innate talent" (really, a desire to work as hard as I would need to in order to improve) I decided I just wasn't a creative person.

What I missed in my narrow definition was that creativity isn't about drawing.  It's about thinking differently.  It's about bringing new things into the world for the purpose of making people's lives better.  That's what I learned in my first few years teaching, and became for me the point of my professional journey: helping students see differently, and create in them a desire to continue learning because of the content and skills developed in my class.

When I met Andrew, I exaggerated my video editing capabilities.  I knew I could figure it out if I really wanted to, but hadn't had the need to before that point.  He brought the impetus, so I learned how to edit videos.  And eventually, I started to see video editing as a creative endeavour as much as visual art is.  All art is about telling a story, not about lines or shapes on a page.

The story we were telling was not just one of classroom transformation.  It was one of personal transformation.  I now see the ways in which I'm tremendously creative, almost to the point that I feel ridiculous for ever thinking that I wasn't.

Seeing that shift, I began to see the role of creativity in my classroom differently too.  I used to have art projects as part of the curriculum, but I phased them out because rigor.  I used to have students do elaborate projects that were often beautiful and artistic, but I stopped because standards.  I used to try and make creativity the bedrock of the student experience in my class, despite my narrow definition, but I stopped because confidence.

Genius Hour cemented in my mind how much has shifted because of the influence Andrew has had on my practice.  Actually, that's not quite accurate.  Yes, it was Andrew's entrance that marked the beginning of the change, but really, it's all about what we've built collaboratively.  It wasn't Andrew or me acting in isolation - all the good ideas and creativity and innovation come as products of our time spent in collaboration.  None of it exists without all of it.

My students almost all did their project on something to do with creativity.  I heard them discussing what it means to be creative, and it mirrors my own (much better) understanding: being creative is seeing possibilities where others see only limitations.  It is being willing to be different, even when that's the harder choice.  It is taking risks and daring greatly, even when it pushes us so close to the edge that we fall off a few times.  They all understand that.

And that's the real beauty from Genius Hour: only a few students wrote down facts or specific details about the content of what we learned.  Instead, they made abstract renderings of those ideas.  The common themes were about divergent thinking, growth mindset, factory-models of education being crushed by a new way of learning, how puppets are a pedagogical tool, and even why flipped learning gives them more control over what they learn, how they learn it, and how to demonstrate their learning.

Our students are experiencing something profoundly transformative: that collaboration drives creativity, and you have to practice taking risks to be able to truly learn.  

I now know how to use Adobe After Effects - professional level graphics software as well as basic video editing programs because the collaborative relationship Andrew and I forged compelled me to truly learn, even when it took failure after failure to produce success.  In a very real way, I am now able to be much more creative because there was a space made and a spark of inspiration lit by the relationship Andrew and I have.  And my creativity fuels the learning environment in which my students catch the spark to light their own creative furnaces.

That's what collaboration can do: light fires that had been extinguished.  Foster creativity and critical thinking.  Provide the space and motivation to learn something deeply.  That's why Andrew and I will continue to tell our story.  We believe that ALL teachers should have the same opportunity we did to be transformed.  We believe that our students deserve that.

And we believe that our collaboration will continue to produce more creativity as more teachers start the journey we've undertaken together.  I hope we can continue to point the way to the road less travelled, where while there are thorns and rocks and unsure footing, there is also great beauty and joy and when you've walked far enough, you get to see something that never before existed.  Something that wouldn't be in the world, but for you finding it together.  It is that collaboration that will make you more creative, and will in turn give your students more opportunities to be creative as well.

Collaboration will change your view of creativity forever, just as it has mine.

This collaborative road will be more difficult.  Sometimes, it will be so difficult that you struggle to remember why you started walking in the first place, but if you have found a partner who makes your classroom better, it will be worth every moment of difficulty.  

We - all of us - are #bettertogether.

Over the summer, Sam Patterson and I started talking about puppets.

Now, we all know he's the Puppet Man, who actually does have Twitter accounts for all his puppets, and even features them on his YouTube channel.

So when I was selected to take over the Leadership class at EBA, I quickly found an application for puppets on campus: hosting the weekly video news broadcast.  Here is the playlist of all the Ninja News episodes so far.  Yes, our mascot is the Ninja.  Purple ninjas, actually.

Now, once other students saw the puppets, they wanted in on the sweet puppet-making action.  So I ran a few workshops on Choice Day teaching students how to make puppets, and we even had all the 9th graders make sock puppets one afternoon.

Here's what I've learned about puppets since starting this endeavour:

• Students come alive when they get to do, make, build, and design
• Students love challenge when it's presented in a way that makes it seem fun (like: build a sock puppet! No directions! No help!)
• Grades and points cease to matter when something is truly engaging.  I did have one student ask if his sock puppet would be graded, but other students told him to Just Stop before I had to.  That feels pretty awesome.
• Kids become kids when they have a puppet on their hand.  Suddenly, they are more playful, more funny, more animated, and more interesting.  Yes, I mean interestING - I think you have to be interestED to be interestING.  They also have started to think differently, and are much quicker to get to creative solutions to problems.
• Making puppets requires divergent thinking, storytelling, imagination, and creativity.  Many kids find that overwhelming, because they are being asked to do things that aren't quantifiable.  They get lost in the design phase because it cannot come from rote memorisation, or reliance on good academic habits.  It becomes scary for them to have to try something that might fail.  Those students need the most help and the least instruction.  I spend a lot of time listening, and then helping them glean their ideas from all of the rubble.  But if I give them an idea, it's no better than asking them to memorise the date Shakespeare was born.  The real work still came from me in organising, planning, and valuing the information.  
• Puppets are a great vehicle for teaching that it's okay to make mistakes.  My first puppets aren't great (in order of how I made them: Albert, Kiwi, Gypsy, New Unnamed Puppet), but I'm proud of them, and I learned a lot more from making them than I did from just using the puppets Sam let me borrow (EduFelon and Tina).  Figuring out how to do something like this required lots of YouTube videos, many hangouts with Sam, and a lot of trial and error.  And it was really, really fun.

L to R (& puppet maker):
Tina (Sam)

Gypsy (Me)

EduFelon (Sam's student)

Albert (Me)

Kiwi (Me)

This is my newest puppet.  He was built with a pattern Sam traced from Wokka.  

The kids absolutely love him.

The staff think I'm carrying a dog when I walk in with him.

Also, people can't agree on this puppet's gender.  I'd like to know your thoughts!


So TL;DR:
Puppets are amazing.  They are viable as an instructional strategy.  They help students be more comfortable in their own skin, and with taking risks and thinking differently.

Go make one.  Now.

So much to say.

In the last few days of our time in Minnesota, Andrew and I talked a lot about what the next year will hold for us.  You can watch our 5-5-5-5 video reflection here, but that's really just the Big Picture Overview.

And the first thing you have to do when you look at changing your classroom is take stock of where you've been.  I haven't blogged much since early March, which is for lots of reasons (all of them, I assure you, are Very Good Reasons.  I know that Andrew will write me a note attesting to the veracity of that statement).  Practically, what that means is that all of the work we did in the last two units are completely and utterly unblogged.

So there are several major summer projects on the table for Thomasson Morris Instruction (TMI), but more than anything, we need to start by reflecting on the work we have been too busy working on to blog about.  Here are some of the blog topics/subjects we'll be covering in the near future, either as separate posts or combined in some way:

• Close reading
• Collaborative reading activities
• Student-designed novel unit(s)
• Use of student-made #coflip videos
• Integrating blogging into the 20% project (Blank White Page)
• Integrating blogging into a novel unit
• Going paperless without having 1:1
• The Really Hard (but No Rules) College Test
• Flipping feedback with VoiceComments
• Reading analytically as you go vs. reading entire novel, then analysing it
• Socratic Seminar as part of #CoFlipReads The Fault In Our Stars
• Student-selected literature circle unit (hint: Not A Success)
• Reading journals with a difference (and choice!)
• Student feedback and reflections
• Critical reading --> critical thinking --> critical writing?
• Using new media and YouTube Edutainment to engage students

That's a pretty good list.  And of course, that doesn't include any of our plans for next year, or our extended reflections on #FlipCon13.  We have about two hours of video with Andrew and me IN THE SAME ROOM AT THE SAME TIME and that will eventually be a series of short videos about what we learned and how we plan to use it in our classrooms.

Now, because I believe in adding value, I'll write about one thing in this blog post that's not on the list, but is relevant nonetheless.

Andrew and I are approaching summer much like we would the regular year.  We have a schedule that includes several important projects: short and long-form writing, making and editing instructional videos, planning our courses for next year, etc.  My first administrator told me that if you ever take a summer off from work (he was talking about summer school particularly) that you'll never go back to it because you will be forever spoiled by luxury.  Well, that turns out to not be true in this case.  I took the large majority of last summer off, and this summer, I'm actually MORE excited to work than I have been in a while.  I know the tasks won't all be "fun" but honestly, there have been very few times in the last year (of intense collaboration) where it hasn't been enjoyable.  It feels less like work and more like hanging out with my best friend and co-teacher.

I know inspiration is fleeting, but the excitement I have for our summer work is founded on a few reasons.  First, FlipCon helped to light a fire in me.  I have been so drained and worn down and exhausted that I really limped over the finish line of spring semester.  But now, I have had so many ideas, and feel much more energised and ready to work.  I know it will be difficult, and there will be times we don't feel like continuing on.  But this is more excited than I've been about summer....maybe ever.  And it's not because I get to sleep in until 10 AM every day and watch a lot of Dexter and Wheezy Waiter all day; it's because of work.


Well, it's sort of about work.  Like EVERYTHING we do, it's more about collaboration.  Andrew has made even the most mundane of tasks much more fun.  There is a rumour that we are indeed one person, and sometimes, that doesn't feel so incorrect.  It's pretty difficult to write anything substantial without his #SpecialSkillz in writing and editing and thinking now that I've gotten used to having his help.


But more importantly than a shared brain, is the real reason behind "Better Together": that we know we would have burnt out alone.  Yes, the collaboration gives us new ideas, and it gives us a second brain to help when ours isn't finding the right words.  But more than anything, I have someone invested in my success.  I have someone who believes in me far more than I believe in myself.  I have someone to filter my thoughts and writing so I don't say something stupid on the internet...where NOTHING EVER DIES.  Andrew pushes me to be a better teacher, a better writer, and a better learner.  I know not everyone needs that, but I do.  He knows when I'm doing something half-assedly, and isn't afraid to call me on it, but then also will help me fix it.  I trust his opinion more than my own.

It is totally possible to flip your class on your own, but we sure don't recommend it.  I think the reason our story resonates with people is because most teachers, and nearly all #flipclass teachers, want someone who will help them do a better job for their students.  But the reality for most of us is that there are few colleagues willing to help us do that, or if some are willing, many are pedagogically opposed, or over-scheduled to the point of uselessness.  That's why Andrew and I needed each other - neither of us had colleagues willing to experiment with flipped learning.  Neither of us had the knowledge, the tools, or the experience to know how to flip our class.

So we embarked on this journey together, just three days short of one year ago.  I would not still be blogging, I would not have attended #FlipCon13, I would not have several Very Exciting Offers to consider, and I would not be as happy as I am now.  I don't need Andrew to be a good teacher.  But this way, even with the many, many challenges we face, is So Much Better than anything I ever did on my own.  And I am grateful - ridiculously so - to have a teaching partner and friend like Andrew.

So I'm really looking forward to this summer - there is much to be done, and I am excited to see what crazy ideas we hatch as we dive into our projects. I would love to hear which of the topics you'd like us to write up first, so leave that in comments if you have a preference.  And if you are part of (or starting) a collaborative partnership, please let us know!  Andrew and I love to talk to people who are starting this same journey.  We were lucky enough to meet half a dozen collaborative partnerships at #FlipCon13, and we'd love to add to that list.

Happy start of summer, everyone, and we'll see you all at #flipclass chat Monday night!  All are welcome, 8 EST, to talk about #FlipCon13, #CanFlip, and all other #flipclass summer work and reflections.

I’ve written before about how reading, for me, is now social.  I didn’t expect that would ever change...I really expected that reading would be like it always has been - stories in my own head, and something that belonged to me in a very real way.

But when Andrew burst into my life nine months ago, the way I read (along with everything else) changed.  Suddenly, it wasn’t just me reading.  We read books the other recommended, then talked about it as we read.  Texted quotes and commentary, thoughtful emails and Direct Messages on Twitter about the meaning of certain passages, and the relevance to our own lives...all of that made reading something that was no longer just a refuge where I could live in a world of (at least partially) my own creation.

When I first flipped my class, I got an idea while I watched a reality television show to do something similar to how they engaged viewers.  Throughout the episode, the hashtag for the show appeared in the corner, and viewers were encouraged to tweet their comments in real time.  So I stole that idea and used it for reading and watching video in my English 10 class last year.  They used Today’s Meet as a backchannel, and I saw their level of engagement increase substantially.  They were asking questions that showed more trouble with comprehension than I had any idea existed.  And instead of me answering all the questions, they started answering each other’s questions.  Kids who refused to talk in class were suddenly revealed to be incredibly engaged and possessing more knowledge than anyone realised.  It was actually one of the most beautiful things I’ve ever done in class.

And that’s how we read Night.  I made videos of myself reading each chapter using ShowMe, and we watched them in class.  Students participated over Today’s Meet (we had 1:1 netbooks last year in my classroom).  At the end of the book, every kid passed the assessment...because they actually were engaged in the reading.

And when I started at Redwood, I threw those ideas out for the most part because we were no longer 1:1 and my students were supposedly avid independent, motivated readers.

And a semester later, I’m wondering why I abandoned everything that worked so beautifully for the sake of a little less technology and what turns out to be a group of students who aren’t used to reading for English class.  They are, however, much more adept at using sparknotes and the internet to help them avoid reading.  And they have fooled most of their teachers for a long time, or have simply had a teacher resigned to the fact that her students wouldn’t read what was assigned.  I think all English teachers understand that it's pretty hard to get students to read and focus and comprehend and be excited about books.  And with the influx of technology, attention spans get shorter and teenagers struggle to find as much meaning in Catcher in the Rye as they do in Call of Duty or Facebook.  It's not a problem of this school, or this state, or whatever.  It's a universal problem, at least in American culture.

I had an idea a few weeks ago to have students produce an interactive book of the text they’re reading.  It follows the “Why Read?” inquiry unit we did at the start of the course, because now we’ve read one book together and so we have some experience using the strategies they selected.  And frankly, the way teenagers read has changed.

In an era where they can get high-quality summaries and analysis of most books on the traditional canon for high school literature, and where they’ve come to believe that reading books for school rarely yields anything but pain and suffering, how can we possibly wonder why they choose to do their hours of other homework without even glancing over the pages assigned in their English novel?

But here’s the problem: you can’t analyse what you can’t understand.  And you can’t understand what you don’t read.  So we’re at an impasse.

Now, I’ve had two relatively successful novel units.  We are just wrapping up Death of a Salesman in American Literature, and we are just finished with Night in Humanities.  So for the end product, it makes sense to go back to the original inquiry question: Why Read?

But the more interesting question to me is how my students believe they can help other teens read.  And that’s where the idea for the interactive book comes into its own.  An interactive book, created by the students in my class for the book they are reading or have just finished, could put in features like video explanations of difficult passages, or hyperlinked vocabulary or historical terms, or summaries to start and end the chapter, or focus questions so students can read for deeper analytical meaning.  All of those things would help me as a reader, and my guess is that my students would be helped as well.  But it still doesn’t solve the problem of how to leverage the ability of books to create community.

That’s where the idea for the CoFlipBooks Reads The Fault in Our Stars came from.  We wanted to know what would happen if we got together a group of friends and made videos for each of the chapters that would serve to start a discussion and deepen our own connection to and understanding of the book.  We’ve already got an introduction video and a video for chapter one and it’s been amazing so far.

We’re working on translating this for use in the classroom, and how it could fit into an interactive book.  We don’t have all the answers yet, but that doesn’t matter.  Part of blogging for me is sharing what is in process, rather than just what is finished product.

So when school starts on Monday, we will start talking about constructing an interactive book that will help students read socially and with thoughtfulness and depth.  I’d love to hear what you think about how that should work.

And please watch our book club videos!  And read with us!  And create video responses to any of the chapter videos!

I never realised just how much I took for granted about reading.  Every year, I vastly overestimate my students' ability to read on their own.  I assume that just because everyone in my department assigns reading regularly as homework that students are actually doing it and getting it.

This week has been the reality check for me: They aren't.  Even the "high achievers" either aren't doing the reading or they are doing it and not understanding it.  Even the AP students in some cases.  These are kids who get A's in everything, who can write and articulate intelligent arguments.  And they aren't reading what we assign.

These are the kids who are getting accepted left and right to Purdue and Brown and Cornell and UCLA and Cal.  These are the best kids from the best school in the best area.  

The real tragedy is that these are the exact kids who need the beauty and the breath of fresh air that comes with a good book.  The bookroom is filled with titles that I would have killed to teach at previous schools - Kite Runner, Me Talk Pretty One Day, Sula, The Things They Carried, Things Fall Apart, The Namesake, Their Eyes Were Watching God, Indian Country, Slaughterhouse Five, Pride and Prejudice, Man's Search For Meaning...our bookroom has hundreds of choices.

Hundreds of choices that our students pretend to read or understand for most of their four years here.

I'm not pointing fingers at my colleagues - I assigned reading homework last semester, and many of my students told me they didn't read all of those books either.  And some of them got A's from me too.  So we're taking kids who love reading, who read for pleasure, who will do homework, who are compliant, and churning out students addicted to Sparknotes, trained to jump into the point in the discussion where their failure to read or understand will be noticed least, and who think that literature is just an excuse for a treasure hunt for symbols that they can identify and spit back out on a test.

So what's going on?  And more importantly, how do we fix it?

If we believe that teaching through literature is the Right Way, and that the skills developed through beautiful literature can help students see their own life more clearly, analyse more carefully, and engage with the world more actively, then it's imperative we figure this out.  And I'm the least capable person to figure this out, because I did all the assigned reading in high school and college, loved it, and understood the vast majority of it.

So I asked my students.  In a previous post, I outlined the process we went through to ascertain what would be the best reading strategy for them.  I would encourage you to read that before continuing with this post.

So here's are some of the take-aways from that mini-unit.

First of all, it's different for every group of students.  That makes sense - any teacher can tell you that the climate of one section can be wildly different to another section of the same class.  But how often have we treated them the same in the method we use for reading?  I know I have.

Secondly, it will be a system of trial and error.  When we came up with the plan, I had a student ask, "What happens if we end up not liking this, or it doesn't work - are we stuck with it?"  NO!  The whole purpose in giving them voice and choice is to make it work for them.  Why would I force them to stick with something that wasn't working just because "they chose it"?

Thirdly, students are not used to being asked these questions.  They haven't thought about it either, on the whole.  They never think to question their teachers.  They said to me, when I asked why they don't question what we're doing, "But we just assume that either you have a reason or that it would be rude to ask.  So we don't ask why."  I died a little inside on that one.  Any student, regardless of age or ethnicity or grade level or ability, should be able to respectfully ask the teacher for rationale behind any assignment.  And if the teacher doesn't have one, it should prompt some serious reflection on the teacher's part.  I told my students that I would never ask them to do something for which I couldn't articulate a reason.

Finally, it's not enough just to have class discussions or to have students reflect on what they're learning and why.  Students need to be given far more voice and choice than they usually get in factory-style education.  I've found, over and over, that when I ask them for input, their ideas and cognitive process are amazing...often better than what Andrew and I came up with.  Most of the plans are a result of students advocating for what they need, and trying to take ownership over their education.  I'm confident that more students will be reading the assigned novels for these courses.  And it's not because they like me.  It's because they feel like it was their choice, and that if they have something to say about the process, the product, or the text itself, they have the freedom to say it.  They don't have to hide the fact that they hate the book - in fact, sometimes that's the start of the best discussions in my classroom.  And if they honestly aren't reading at home, how is it helpful to act out a farce in which we all pretend they ARE reading?  It's teaching them that education has shortcuts.  That they can get all of the answers off the internet.*  

Is that really what we want to be teaching them?

*side note: When I said that many of my PLN agree that "if you can google it, it's not a good question to include on a test" they just couldn't understand what a test would look like with information that wasn't googleable.  I gave some examples, such as: instead of memorising the dates of the Civil War (googleable), argue whether or not Lincoln did enough to prevent the war (not googleable).  Their words: "Yeah, that second option is way more interesting and useful."  Yes.  Yes, it is.

Below the fold are the specific plans that we worked out in each of my three classes that have started a novel. 

On Saturday, I had the great honour to co-present with about flipped English at the Michigan Flipped Learning Conference.  Obviously Andrew presented with me (we really don't tend to do things separately, if you haven't figured that out by now), but we were joined by April Gudenrath - the most experienced English flipped teacher there is - as well.  The hangout was broadcast and can be seen in its entirety here, and you can view our presentation through Google Drive here, and you can fill out the Flipped English Teacher Community form here so we can get a good list of as many flipped ELA teachers as possible.

Anyway, most of the questions we got this weekend at #MIFlip (and on Twitter afterward) were around how you get started with flipping.  The school year has already started, so that ship has already sailed for this year, right?

I would argue that mid-year is actually a BETTER time to flip than the beginning of the year.  The kids know you.  They trust you.  They believe that you are out for their best interests and care about you.  You get to start ahead.  As many of us found out this year, jumping into the flip with new students is really, really difficult.

So you're convinced you want to try something.  But you're not sure if it'll take, or if you'll have enough time, or how you should start.  Let me see if I can help.

There are a few main models:

1. Flip 101 - take your direct instruction and put it on video. Have the kids watch the video at home. Use class time to help them get more in-depth with reading, writing, projects, or discussion.
2. Asynchronous Flip - use video in class or as a supplement to what you would normally do. Put your novel reading on video and use todaysmeet.com to have a live discussion. Let kids work through curriculum at their own pace, where students can work ahead but can't get behind. Video is one way of accessing the content, and students can choose others, so long as they can demonstrate learning.
3. Flipped Mastery - using either of the two models with the integration of mastery or Standards Based Grading (SBG) to assess student learning.  
4. Co-Flip - short for Collaborative Flip.  This model is student-centred, where instruction takes place if/when needed, and may or may not be on video.  It could be asynchronous or synchronous.  It could be self-paced or with everyone at the same pace.  It could use mastery or SBG or neither.  But the most important elements are 1) student-centred pedagogy, 2) use of higher order thinking, and 3) deep value in and use of collaboration, between teacher and student, student and student, and teacher with other teachers. 

Most of us start at Flip 101 - I did.  And if you use a lot of direct instruction, that's where I think you SHOULD start.  Take those lectures you always give (as April calls them, "points of pain") or instructions you have to repeat over and over, and put them on video.  If you have an iPad, use ShowMe.  If you have a Mac, open PhotoBooth (so your face is on screen) and capture your screen with QuickTime (every newish Mac comes with it, and it's free).  If you don't have either, use one of the free services online - ExplainEverything, Jing, Screen-Cast-O-Matic, etc.  I've used them all, but I prefer ShowMe for quick stuff, and Camtasia for everything else.

If you feel like adding in direct instruction would be taking a step backwards pedagogically, then start by starting the shift to asynchronous or mastery.  Use video where and when you can, but focus on getting students to be responsible for themselves and their learning - that's the first flip.

The way you do that depends on your students and what they need.  You need to use class time in the best possible way, with the intention of creating opportunities in the classroom for collaboration between students, and the availability of the teacher and peers to help.  For Andrew and me, that means using class time to let our students compose in class, do close-reading, work on collaborative projects, and having discussions as a class.  The way you use class time is FAR more important than what you put on video.  Video, like all technology, is just a tool to help your students learn best.  Don't make video the point; make it the process.

**

When you've gotten your feet a little wet under one or more of those models, you pretty much have to move on to Co-Flip.  Flipped learning is WAY too hard to do it on your own.  I don't have any colleagues flipping (or interested in flipping) in my department or school.  But less than an hour away, there are dozens of flipped teachers - even a few who flip English.  And when I broaden the search a little, I find people who not only want to do what I'm doing, but they can push me to get better at what I'm doing.

I know I'm kind of a one-trick pony in this regard, but my classroom didn't really get to the point I knew it could until I met Andrew.  Then came Karl, and Carolyn, and Crystal, and Brian.  Then came the other Co-Flippers: Delia, Lindsay, and Audrey...and the rest of the Flipped ELA gang (see many of us discussing flipped writing here): Kate B, Kate P, Dave, Troy, Shari, Katie R, April, Sam, Natalee...and more I'm probably forgetting.  All of those people have helped me shape the way I think about flipping, and the experience of flipping in my classroom.

There is no way I would be the teacher I am now without them, and I'm lucky to have a PLN that not only supports me and gives me ideas, but will discuss tattoo design until ridiculous o'clock, or run up my tweet total to 5k (special thanks to Sam for that one!) or just be silly and join the #HashtagRevolution.  I'm lucky to have Andrew as a #CoLab partner (get it? Lab partner, only COlLABorative? Yeah, I know I'm #EduAwesome at wordplay).  I'm lucky to have a #CoLab partner who will be as pissed off about the things that I'm pissed off about, but will help me calm down and reason through it.  I'm lucky to have a #CoLab partner who will spend a whole day building a website that we can't actually use, and then will throw it out and start again without looking back.  I'm lucky to have a #CoLab partner who understands my strengths and weaknesses better than I do.

Andrew makes me better.

Don't believe us?  Ask Katie Regan and Shari Sloane (and now Dave Constant, who has joined them as the #ladygeeksanddave) why #coflip is better than any other flip.  Ask Carolyn Durley and Graham Johnson why #coflip has kept them sane.  It's not just the intellectual and practical support.  It's the personal support.  We care about each other, We care for each other.  We're friends first, collaborative partners second.

So once you've decided what kind of flipped model will fit your classroom best, find someone who will help you do it even better.  Ask questions.  Jump in on conversations on Twitter.  Join the Flipped English group on Twitter.  Get on the Ning for Flipped Learning.  Post here.  

Start a conversation.  And don't wait for a "more convenient time" - start now, where you can.  Don't make yourself crazy trying to do everything - but find people who have already done it.  Listen and take whatever they offer.  You don't have to use it for it to be worthwhile for you.  And if you annoy someone by asking too many questions, they probably aren't the person you want to work with anyway.  We're all adults, and personality does make a big difference.  Find people you genuinely like and then see what you can get, and what you can give.

Without Andrew, I would have given up a long time ago.  I never would be presenting at conferences, or writing a few chapters for an upcoming book about flipped learning, or reaching my students in the most effective ways.  No matter how crazy I make him, or he makes me, our collaboration is worth it.  Neither of us could do this alone.

And neither should you.

There are some days where you just don't feel quite so alone - that was today.  

For most of my colleagues, the first day back to class meant hiding out, staying isolated all day, learning new names, handing out syllabi, just surviving.

And even though I had five brand new classes that started today, it was a day of really meaningful connection.  I intentionally got out of my classroom to talk to a few colleagues and had some great (short) conversations with them.  

I also got to speak to every one of my new students (all 152 of them!) at least twice, and often five to six times in the class period.  I don't know their names yet, but I have seating charts with preferred names filled out and group pictures so I can try to learn them faster than last semester (I'm pretty sure I was still guessing on names in the 6th week...remembering that many new names in 50 minute periods just doesn't work for me I guess).  I ha former students drop in to say hi.  The best ones were when 6th period was about to start, and a whole group of my former 6th period students walked by - they wouldn't stop telling the newbies how lucky they were, and how they wished they could switch with them.

But the amazing thing was tonight.  For about 90 minutes, Andrew and I had the pleasure of being a part of the largest gathering of English flipped learning teachers that we know about.  Here's the line-up:

• Me, 11-12th grade, California
• Andrew Thomasson, 10th grade, North Carolina
• April Gudenrath, 9-12 IB, Colorado
• Kate Baker, 9th/12th grade, New Jersey
• Katie Regan, 10th grade, New York
• Shari Sloane, Alternative school environment, New York
• Sam Patterson, 9th grade, California
• Dave Constant, HS, Connecticut 
• Troy Cockrum, 7th-8th, Indiana

The amount of knowledge in that room is just absolutely incredible.  I learned so much just from being there and listening.  It reminds me of just how much we really need each other and how important it is to work with each other, but also just to connect and be friends.  We need both.

The most amazing thing is that all this time, there has been another collaborative partnership - Katie and Shari - in the English Flipped world.  It seems that Katie and I play a similar role, and Andrew and Shari play a similar role in the way we work together.  

As Andrew and I debriefed the conversation, we were struck by just how much we know, but how much we don't know.  None of our flipped classes look the same.  We all flip writing to some degree, but it looks different in every context, every classroom, every video.  Reading is a much more open field with far fewer answers.

We recorded the conversation and will be posting it soon.  I hope more people can learn with us.  As Andrew says, we may know stuff and may be "defacto experts" but we are learning as we go.  

If you're interested in joining us for one of these conversations, let us know either here on the blog or by finding us on twitter.  Maybe we can fill the room a little bit more next time.